I'm a super-fan of Scubapro Jet Fins. I've got a pair I've had since the end of the 1970s, and I've also got the new ones. People laugh at them, and they are a nuisance if you want to travel light and you've got these big, heavy things in your bag, but I love them.
I've really only ever used Jet Fins, and when I'm in a tight space, like when cave-diving, and just need to make small movements, I know how to use them to best effect.
I've been through quite a lot of drysuits, many from Viking and Poseidon, and now I've just got a new Scubapro, which I really like.
It's in a very flexible Neoprene with over-boots, which are like Rockboots. I used it while diving up at the Hodge Close inland site just before I went to the Antarctic recently and I found it was really good.
I'm only a small bloke, so I use up too much energy if I'm using a heavy suit.
For BBC Oceans UK I've been using an O'Three drysuit, which is great, even though it's slightly heavier. On the first Oceans we used it in the Southern Ocean, and under the ice in the Arctic.
I use my APD Evolution as much as possible. It's a bit heavy for me, but I like it a lot.
The trouble is that when we're filming the BBC doesn't always like the rebreather to be in shot - they want things to look a bit more accessible.
When I'm open-circuit-diving, even if it's complicated diving, I don't need refreshers to blow out the cobwebs, but I do like to keep in practice with my rebreather.
I live in the Lake District, so I run up to Hodge Close, which is only 20 minutes away, and jump in there as often as possible. The rebreather is one of those bits of kit I feel I always need to be abreast of.
Years ago, between 1979 and 1988, I used US Navy rebreathers, but things moved on. I got the APD Evolution, the big yellow box, for BBC Oceans.
I linked up with Phill Short in Wales and he was absolutely brilliant and got me sorted out. I now do everything Phill told me - even on the other side of the world I use the same crib notes and the plans he gave me on every rebreather dive, and when I'm on my own in Hodge Close.
I love the long, long dives, the lack of bubbles, the sense of hanging in mid-water doing your stops, manually driving it for high O2 and feeling great after every dive. I wish it was a bit lighter, though.
I have a Suunto Vyper, and of course I've got the Evolution computer. I like them both. The Vyper
has been a good computer for me, very simple, easy to read and easy to set up when you're rolling around at sea.
Things change fast with diving schedules when we're filming, so I have to look out for any of those days where I've got rebreather and open-circuit dives mixed. That's why a good computer is essential. And, of course, having diving supervisor Richard Bull looking our for me!
I also love my Uwatec Galileo, which I'm using all the time now. It's very intuitive to use, easy to set up, has a great compass and, the best thing, a very big display!
When I was in the Antarctic during all those ice-diving years, we used Poseidons. Antarctic surveyors always have done, but my own regs have always been Scubapro. I've used them for years, even
when I was in the USA.
So in fact all my open-circuit stuff is Scubapro, including for cave-diving, and it's been great.
With all the marine-science projects I set up through the Royal Geographical Society, we used Scubapro regulators. I was trained up in servicing them, and in turn trained other people to service them in the field, mostly in Mauritius, Rodrigues and the Seychelles.
I was in those three islands last year, and they were still using the same regulators. And they're bloomin' good - they look as if they've had a lot of time in the field, but they're bomb-proof.
So I have Scubapro R295, S555 and R395 second stages and various Scubapro first stages.
But I've got a house full of kit that needs sorting out, half-rotting drysuits that I can't bring myself to throw away because I think I can probably fix them, and half-knackered Poseidon Cyklon 300 regulators.
I've even got a couple of good twin-hoses - oddball stuff like that.
Guess what - Scubapro! I've got two. I've got the trimmed-down one, and a bigger one with all the bells and whistles on, from a couple of years ago.
I've got a Seatec as well at home, and a couple of really old Scubapros lurking, including one of those models like a waistcoat that Stan Waterman always wore. It's knackered now but I used to love it - it was an incredibly simple bit of kit that I'd like to see brought out again.
It was particularly useful when travelling, because you could just you fold it up in your bag.
My half-masks are both frameless, one by Scubapro and one from Atomic Aquatics that's great for carrying in my BC pocket as a back-up for my full-face mask.
In fact I only use the full-face mask for the telly. It's a Diveways, made in Japan, a huge blue square thing. It's not the prettiest-looking mask, but it's quite a simple piece of kit.
The Diveways is great for television because there is no oral nasal dam, which means you can see all of the face and expressions. The problem is that you have to manually flush to clear the CO2.
On BBC Oceans UK we're using the OTS Guardian full-face masks, which are great.
They do have an oral nasal dam, so we have no snags with CO2 build-up, but we do lose that clear view of our faces.
I've got loads of them, including a couple of those superbright Optoelectronics LED ones, which are brilliant back-ups.
I've got a couple of really old Ikelite main lights which I love, with the big white batteries inside.
I also have some old Dacors that I hardly use, but my favourite main lights are by Metalsub.
I have a small Tekna knife on the back of my console, which I've had for about 25 years!
Not exactly favourite kit, but do you remember Norman's Scuba Balls, for ascents? They were from the States. The theory was that you opened up your BC pocket in the water, took out a yellow ball and let it go. It was supposed to go up at 60 feet a minute.
I used them a couple of times in a quarry - they always felt like they were moving a bit fast to me, and once you've let it go, it's gone.
You've paid for the things, so you want to hang on to them. I don't use them, so I have!
Archive | 
Don't forget to cast your vote in DIVER Magazine's latest Big Question for the chance to win a Luxfer emergency pony cylinder worth £106. 
